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TLE
THE LAST EMPEROR
FILM POSTER

Portrait Poster

Wanrong and Puyi gradually drifted away, Wanrong had walked out of the power fantasy of the Qing Dynasty, but Puyi still stayed in his own fantasy and did not wake up. The fog of fantasy enveloped him like a veil, and his face was blurred.

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THE LAST EMPEROR
FILM POSTER

Portrait Poster

Puyi's two identities as the last reigning emperor of the Qing dynasty, Aisin Gioro Puyi, and the puppet emperor of Manchukuo, Henry Puyi, in one.

画板 8 副本eiya.jpg
THE LAST EMPEROR
FILM POSTER

Scene Poster

Puyi as his youth sat high up on the palace walls, yearning for the outside world, like the most exquisite canary, not allowed to be free. Trapped again and again by the omnipresent doors and walls.

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Minimalist Poster

THE LAST EMPEROR
FILM POSTER

Still using the emperor's hat, which represents imperial power, as a symbol of power and emperor status, and placing Pu Yi's iconic spectacles in the form of two circles under the brim of the hat, the cricket represents the testimony of the times when the building was first raised and eventually collapsed and foreshadows the fate of Pu Yi.

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